Three years after introducing the Wireless GO II, Australian audio specialist RØDE is back with its successor: the Wireless GO (Gen 3). However, in the meantime, the company launched the Wireless Micro and Wireless PRO variations of their compact wireless microphone systems. As more and more manufacturers enter the wireless audio market, RØDE had to step up their game by including many features of the PRO version in this third generation, but will it be enough?

RØDE Wireless GO (Gen 3) – features

The Wireless GO (Gen 3) is a compact and lightweight dual-channel wireless microphone system that measures only 46.5 x 44 x 20mm/1.83 x 1.69 x 0.78in – the dimensions are identical for both transmitters and the receiver – and ticks the scale at 35g/1.23oz for the transmitters, and 36g/1.27oz for the receiver.

Similarly to its predecessor, this third generation consists of two transmitters and one receiver. You can choose to capture two separate audio channels with the receiver or combine both channels into one stereo option for seamless recording on downstream cameras or recorders.

For the first time, you can get the Wireless GO (Gen 3) in no less than 14 colors, including black, white, and gray, but also funky colors like pink, cobalt, orange, or purple.

RØDE Wireless Go (Gen 3) – what’s new?

From the outside, the RØDE Wireless GO (Gen 3) doesn’t look vastly different than its predecessor. However, you’ll probably notice that the microphone input on both transmitters has been upgraded to a 3.5mm TRS locking connector, which is handy and way more professional when plugging in a Lavalier microphone.

Also, the receiver’s 3.5mm audio output can now be used as headphone output, which allows you to monitor your sound if your camera doesn’t have a headphone output. Furthermore, the screen at the top of the receiver is, according to RØDE, brighter and easier to read.

Indeed, most of the changes and improvements are located inside the units. First of all, the transmitters’ omnidirectional built-in microphones have been upgraded with new capsules and preamps. These built-in microphones are the same as those in the Wireless PRO.

Next, while the Wireless GO (Gen 3) still uses the same 2.4GHz wireless transmission “Series IV” technology as the Wireless GO II, the transmission range has been increased from 200m/656ft to 260m/850ft. Also, it is compatible with all RØDE Series IV devices, including RØDECaster Pro II and RØDECaster Duo, RØDECaster Video, Wireless PRO, and Interview PRO.

The most considerable improvement is probably the addition of 32-bit float on-board recording directly within the transmitters, with a 40-hour capacity. Also, RØDE included the Intelligent GainAssist technology, which automatically adjusts the audio output gain so your camera’s audio doesn’t clip.

You can engage a safety channel at -12 dB for even more safety and peace of mind. This means that your left audio channel will be at your set audio level, while the right one will be 12dB lower, ensuring that your camera’s audio never clips.

You can connect the Wireless GO (Gen 3) to the RØDE Central app (mobile or desktop) for easy configuration and setup. Lastly, the transmitter and receivers all feature a USB Type-C port to charge them, offload on-board recordings, or use it as an audio interface, with a maximum battery life of 7 hours.

Pricing and availability

The RØDE Wireless GO (Gen 3) is available now for $299/€281.91, and it comes with a carrying pouch, a charging hub, furry windshields, and USB-C/Lightning/TRS cables. A separate Charge Case+ is available for $89/€89.61.

If we compare the Wireless GO (Gen 3) to the RØDE Wireless PRO, which retails for $362, I’m a bit confused with this new offering. The PRO model has the same features, though with the added benefit of Timecode capabilities, and it comes with a charging case and two Lavalier mics for less than the Wireless GO (Gen 3) with the Charge Case+.

For more information, please visit RØDE’s website here.

What do you think about this new wireless microphone system? Have you already used any of the RØDE Wireless systems? Don’t hesitate to let us know in the comments below!

Audiio has an extensive library of royalty-free music and sound effects from a network of independent artists and publishers. They’re available in over 180 countries, and content creators of all types can take advantage of Audiio’s wide range of professional offerings. This year, they introduced Audiio Elements, which lets you edit individual components of any song on their platform, and LinkMatch AI helps find music quickly, while Originals offers original music from some of their top artists.

How Hans AI works

Hans AI uses prompts from the creator to suggest a song that will fit a scene. Moreover, while Audiio can recommend music from their library based on a pasted link to a song, Hans AI does it based on a brief description of the scene or finding music similar to a score or popular song.

Searching for the right royalty-free music can take time – hunting around a website, sampling the music, and then adding it to your NLE timeline to see if it fits. Hans AI does it in seconds and can comprehensively list music that best fits your scene or project. Hans AI also showcases unique results that may elevate the scene further.

For example, you may have a scene involving the preparation and enjoyment of an intimate candlelit dinner or an action movie score. Simply type the description into the Hans AI search function, and a list of music options appears. From there, it’s easy to listen to the suggested song selections and give them a thumbs up or down. With an Audiio license, you can download the song and add it to your project.

You can also be more specific and ask Hans AI to find a song similar to a score from a movie or TV show or a song from an artist or band you admire.

Taking Hans AI for a test drive

We tested Hans AI to see how it performs; it is fast and intuitive. The results for “intimate candlelit dinner” were very good to excellent. I also asked for music similar to the main score in Jurassic Park, and the songs were in the spirit or very close. And not just the primary score from the Dino classic but other pieces of music from John Williams’ brilliant score.

Finally, I typed in different artists and songs, and it presented music in the vein of those bands and singers. For example, searching for music similar to Radiohead presented songs in the spirit of the band. Songs similar to those from Taylor Swift had even better results, both with and without vocals.

Audiio has a wide range of genres, from pop to country, rock, and more. The songs are very professional and quite good. They will fit into any type of project, including narrative, corporate video, a commercial, wedding, etc. Nothing sounded like standard stock music.

Price and availability

There are several licensing options to utilize Audiio, including:

• Creator: Perfect for those creating projects for social media channels. It includes music and SFX catalogs and the ability to monetize one channel. It costs $14.99 per month.
• Pro: Covers personal, clients, and small teams and includes everything in Creator, but adds unlimited monetization, local TV and OTT, LinkMatch AI, other AI features (Hans AI) and Stems. It is billed annually at $199. As of this writing, in early December 2024, they are offering it at 70% off for $59.
• Reach out to Audiio regarding their Enterprise option.

Visit Audiio’s Hans AI page to learn more and Audiio’s website for general information and pricing details.

What do you think of Hans AI? Will you use it to find the proper music for your next film or video project? Let us know in the comments below!

DJI is well known for their drones, but their product line extends far beyond. We’ve covered several of their offerings many times, most recently the versatile DJI Air 3S Allrounder Drone (with our video review), the Goggle N3 (an alternative to the Goggles 3), and the OSMO Action 5 Pro (with a video review too). Today, we’re focusing on the new DJI Mic Mini, a microphone that weighs just 10 grams, less than half of the DJI Mic 2. Because it’s so lightweight, it can be worn on a collar or a thin shirt without causing any pulling. It can be clipped, attached with magnets, or worn on a lanyard.

Mic Mini – features

• Battery life: An all-in-one charging case holds the receiver and transmitters, and when fully charged, the setup is good to go for 48 hours. A quick 5-minute charge will offer an extra hour when needed. The receiver and transmitter fully charge in approximately 100 and 90 minutes, respectively.
• Two-level noise canceling technology: Basic mode for quiet, indoor settings, and Strong mode that focuses on vocals by cutting ambient noise in louder environments.
• Windscreen: Reduces wind noise for cleaner audio capture outdoors.
• Automatic limiting: Lowers volume if audio input is too high, preventing clipping and distortion.
• Adjustable gain: Quickly adjust gain using the receiver’s dial – five level options provide precise control over sound input.
• Automatic power management: The transmitter enters sleep mode when no signal is detected. The Mimo App allows for setting an automatic power-off timer to conserve battery life.

Sound quality

• Omnidirectional audio recording: Captures sound from all directions.
• Dual transmitter pairing: The receiver can connect with two transmitters simultaneously, enabling recording from multiple sources.
• Dual channel recording: Supports Mono and Stereo modes for greater flexibility and control.
• Transmission Range: Transmits audio up to 400 meters under controlled conditions.
• Safety Track: The DJI Mimo App offers a backup track recorded at six dB lower than the main track to safeguard against audio issues like clipping.

Wireless recording with OsmoAudio

The DJI Mic Mini is very versatile and connects directly to DJI products like the Osmo Action 5 Pro, Osmo Action 4, or Osmo Pocket 3 without a receiver. It can also connect directly to smartphones via Bluetooth, also without a receiver, so you can use your phone to capture audio recordings with third-party filming apps, according to the company.

In addition, users can connect the DJI Fly app to the DJI Neo drone and the DJI Mic Mini using Bluetooth to record audio and overlay it with their aerial footage. Using the app, propeller noise is eliminated, audio tracks are merged with the footage, and sound should be good even shooting low-altitude vlogs.

Finally, when connected via the Camera Audio Cable (3.5mm TRS), it syncs power on/off with the camera. With a smartphone, it enables external playback without unplugging and can be charged from the phone. The receiver also supports simultaneous charging of both the smartphone and itself when connected to a power source via USB-C.

Price and availability

The Mic Mini is available to order now from the DJI store, as well as from authorized retail partners, and shipping starts today in the following configurations:

• The DJI Mic Mini (2 TX + 1 RX + Charging Case) retails for 145 GBP/169 EUR, and includes a Mic Mini Receiver, two Mic Mini Transmitters (Infinity Black), a DJI Mic Mini Charging Case, Mic Mini Camera Audio Cable (3.5mm TRS), a DJI Mic Mini Mobile Phone Adapter (Type-C), a Mic Mini USB-C Charging Cable, four Mic Mini Windscreens, two DJI Mic Mini Clip Magnets, and a Mic Mini Carrying Pouch.
• The DJI Mic Mini (1 TX + 1 RX) retails for 79 GBP/89 EUR, and includes a Mic Mini Receiver, a Mic Mini Transmitter (Infinity Black), a DJI Mic Mini Camera Audio Cable (3.5mm TRS), a Mic Mini Mobile Phone Adapter (Type-C), two Mic Mini Windscreens, a DJI Mic Mini Clip Magnet, a Mic Mini Compact Carrying Pouch, a Mic Mini Splitter Charging Cable, and a DJI Mic Mini Transmitter Charging Dock.

The Mic Mini Transmitter (Infinity Black) and Mic Mini Transmitter (Arctic White) can also be purchased separately at £49/€59 each. The Mic Mini Charging Case retails at £45/€49.

The DJI Mic Mini is a compact, versatile microphone that simplifies recording great sound for podcasts, live streams, or video projects. Compact and easy to use, this is a reliable option for creators who want professional sound without a complicated setup. For more information, please visit their website.

What do you think of this super lightweight microphone? Is it something you can use in your kit? Let us know in the comments!

RØDE is a significant player in the audio tech field, known for the Wireless GO™ compact mic system and a broad range of gear that supports filmmakers, broadcasters, and content creators. Recently, we wrote about the All-in-One Video and Audio Production Console, adding another product to their lineup. What is also nice to see in a company like this is their support for the community, as evident in the introduction of their first RØDE Creator of the Year Award, which acknowledged the “next generation of content creators” among those using RØDE products.

RØDE Wireless Micro – the features

RØDE’s Wireless Micro is built for smartphone creators who want high-quality audio without a lot of fuss. It connects directly to your phone, uses clip-on transmitters for quick setup, and keeps audio clear, even outdoors. Here are its key features as provided by RØDE:

• In-built microphones and automatic pairing make it incredibly easy to use
• Receiver connects directly to a smartphone with no cables required (USB-C or Lightning version available)
• Patent-pending acoustic chamber design purpose-built to capture exceptionally clear and intelligible audio while mitigating wind noise
• Intelligent GainAssist technology automatically controls audio levels for perfectly balanced sound in any application
• Pocket-sized charging case provides an additional two charges for up to 21 hours battery life, making it the ideal grab-and-go companion
• Ultra-compact, ultra-lightweight form factor with a sleek design for discreet on-camera presence and elegant aesthetic
• Additional furry windshields included
• Works seamlessly with RØDE’s free iOS video app, RØDE Capture
• Available in both black and white

Professional sound, minimal hassle

A highlight of the Wireless Micro is that the setup is very fast, easy, and cable-free. The transmitters pair automatically and feature built-in clips, magnetic mounts, and built-in microphones. RØDE claims you only have to connect the receiver to a phone, clip on the transmitters, and start recording. The mic can handle up to 135 dB SPLs and a 20 Hz to 20 kHz frequency range; plus, its omnidirectional pickup pattern captures audio from all directions, which should ensure consistent sound even if the placement isn’t perfect. In addition, RØDE’s GainAssist technology automatically adjusts volume levels in real-time, preventing clipped or quiet recordings and allowing for upload-ready audio without additional editing or audio expertise.

Acoustic & electrical specs

• Polar Pattern: Omnidirectional
• Frequency Range: 20 Hz – 20 kHz
• Maximum SPL: 135 dB SPL
• Equivalent Noise (A-Weighted): 21 dBA
• Signal-to-noise Ratio: 73 dB
• Transmission Range: Over 100m
• Digital Connectivity: USB-C [for Wireless Micro (USB-C)], Lightning [for Wireless Micro (Lightning)]
• Operating System Requirements: iOS 14 and above (for Lightning and USB-C), Android 11 and above (for USB-C only)
• Operating Time: 7 hours (charging case provides two additional charges for up to 21 hours)
• Power Requirements: TX: In-built rechargeable lithium-ion battery, charged via Pogo-pin contacts to Charging Case (5V, 0.1A), RX (USB-C): 5V/0.1A, RX (Lightning): 3.5V to 4.4V/0.1A

Other options

There are other lightweight solutions with different features designed for smartphones, but all connect somewhat differently compared to the pocket-sized Wireless Micro that connects very quickly directly to your phone. The DJI Mic 2 is larger, but it has a built-in recorder for onboard recording, allowing you to capture audio directly as a backup. Additionally, the Hollyland LARK M1 DUO has some similar features to the Wireless Micro with slightly more range of up to 656.2ft / 200 m line of sight, and it comes at a very decent price of $79. However, it requires an extra cable. As always, it depends on your specific needs and which solution is right for you.

Price and availability

RØDE’s Wireless Micro is available to order now and is priced at $149. Included in the box are 2 x Transmitters, 1 x Receiver (USB-C or Lightning), 1 x Charging Case, 1 x SC22 USB-C to USB-C Cable, 2 x Furry Windshields, and 2 x Magnetic Attachments. For more information, please see the RØDE website here.

What’s your biggest challenge when recording audio on the go? What features do you prioritize in a wireless mic—battery life, range, or ease of setup? Let us know in the comments!

We recently had a chat at IBC with Saramonic on their WiTalk 9, which you can read up on here, in case you missed it. Now, the company has announced the Saramonic Ultra – a completely new product, joining the Blink500 and BlinkMe series of wireless mics. The company has been providing professional audio gear for years, with everything from wireless microphones to wireless intercom systems. These are affordable systems that are built to last.

Saramonic Ultra – features

One of the biggest features of the Saramonic Ultra is the advanced timecode synchronization support, making it easy to sync timecode accurately with multiple cameras. This makes editing much easier, knowing the audio and video are in sync. It also works with different frame rates, from 23.98 fps to 30 fps. If you’re filming in 60p, you’ll set it up for 30 fps, for example.

Additionally, the wireless mic system features 32-bit float REC and ClearVoice technology, which helps with noise cancellation. There are Video Boost and Low-Cut modes, as well as automatic gain control, plus audio remains clear even in high-SPL environments (concert venues, airplanes flying overhead, etc.). Filming outdoors, where you often can’t always control the sound, won’t be an issue.

The Saramonic Ultra features a transmitter, receiver, charging case, external antenna, fur windshield, magnet clip, carrying bag, and several cables and adapters. Two Lavaliers can be bought separately, but the price is very reasonable.

The construction of the Saramonic Ultra is similar to their other products: durable and built to last. If filming is done outdoors, the IPX5 waterproof and weather-resistant feature will go a long way to help protect the wireless microphone system if bad weather persists.

The full feature list includes:

• Advanced timecode synchronization.
• External antenna provides stable transmission up to 300m. The antenna can also be detached.
• 32-bit float REC.
• 48 kHz 24-bit and 48 kHz 32-bit.
• Frequency response of 20 Hz – 20 Hz.
• Premium MEMS Mic (built-in); two Lavaliers sold separately.
• ClearVoice with intelligent noise cancellation, Voice Boost / Low-Cut modes, and automatic gain control.
• 130 dB SPL with anti-distortion protection.
• 25 ms of latency.
• Supports 23.98 fps, 24 fps, 25 fps, 29.97 fps DF (drop frame), 29.97 fps, 30 fps. Select the closest match, i.e., 23.98 fps for 47.96 fps.
• Rugged and durable design.
• Cutting-edge IPX5 weather resistance
• Circular ‘totem’ design, similar to the Blink500 series.
• Detachable external antenna for enhanced signal range and stability (up to 300m)
• Internal recording in the transmitters with 8GB of internal storage (auto-overwrites oldest audio).
• 1.1″ Touchscreen and Knob.
• 6 hours of battery life.
• Comes in black or white.

The Saramonic Ultra is compatible with cameras, smartphones (via USB-C and Lightning), and some action cameras, including the DJI Action 4 and DJI OSMO Pocket 3.

Why 32-bit float and timecode are important for audio

32-bit float recording is an important feature of the Saramonic Ultra, giving more options and flexibility with audio recording. In scenarios involving run-and-gun filming, for example, there are times when audio levels can fluctuate and end up with a sound that is clipping and distorted. In the case of recording at lower bit rates, such as 16-bit or 24-bit, that audio will be difficult to work on and clean up.

With 32-bit float, a higher number of audio values can be recorded than 16-bit and 24-bit, giving more ‘latitude’ to the sound being recorded, much like shooting in RAW. 16-bit records with a dynamic range of up to 96.3 dB, 24-bit up to 144.5 dB, and 32-bit float up to an astounding 1,528 dB. That higher number allows for better recording of soft sounds (dialogue) or something very loud (a concert) without distortion or other problems. The audio is easier to work with in post, again, like shooting in RAW.

Additionally, the Saramonic Ultra’s ClearVoice technology will help with intelligent noise cancellation, plus its Voice Boost and Low-Cut modes will ensure audio is clean and not clipping.

With the Saramonic Ultra’s timecode synchronization capabilities, multiple cameras and multiple microphone and recorder shoots won’t be a chore to sync up the audio in post (even with multi-cam functionality). Regardless of whether the mics, recorders, and cameras start and stop at different times, the timecode sync tags the start time accurately, down to the frame.

Price and availability 

The Saramonic Ultra is available now and retails for $269 for the receiver, and adding Lavalier microphones brings the price to only $299. This is an affordable price and takes on similar products like the RØDE Wireless Pro ($399), DJI Mic 2 ($399), and Hollyland Lark MAX ($249). While the features of competing mics are very similar, some have longer battery life and larger storage (the RØDE Wireless Pro).

The combination of advanced timecode synchronization, 32-bit float REC, and its rugged, weather-resistant design makes the Saramonic Ultra 2-channel wireless microphone system a nice option for productions, YouTubers, podcasters, those working in the news, and others. Plus, the price of $299 fits nearly every budget. Learn more at Saramonic’s website.

What do you think of the new Saramonic Ultra 2-channel wireless microphone system? What wireless mics are you currently using? Let us know in the comments below! 

The traditional German audio gear manufacturer Sennheiser is known among filmmakers mostly for their microphones, analog wireless sets, or digital dual-band wireless systems, such as the Sennheiser AVX. The company just launched a new affordable 2.4GHz-only wireless audio system called Sennheiser Profile. Let’s take a quick look at the details.

Sennheiser Profile – affordable 2.4GHz wireless audio

Sennheiser Profile is a new two-person wireless microphone system with a dual-channel receiver. It communicates via 2.4GHz frequency, so we can consider this a direct competitor to countless wireless audio kits from DJI, RØDE, and many more. Sennheiser claims the maximum range is 803.8ft / 245m (TX to RX, unobstructed line of sight) or up to 492.1ft / 150m (with obstruction).

As the 2.4GHz frequency tends to be overcrowded in many locations and, therefore, often exhibits signal interference, the transmitter units offer on-board recording for added safety. I honestly would not even consider buying a 2.4GHz wireless audio system without this feature, but thankfully, almost all such systems now include it.

Sennheiser Profile transmitter (TX)

The Sennheiser Profile transmitter unit includes a built-in microphone, but there is also a 3.5mm audio input connector for connecting an external microphone (lavalier or other compatible microphone). Thankfully, the 3.5mm port has a thread, so the mic can be secured (if supported by the mic).

Each transmitter unit features 16GB of internal memory for backup recording. This should be enough for up to 30 hours of 24-bit 48kHz audio recording. Unfortunately, there is no 32-bit Float recording option. Each TX unit weighs 1oz / 27g. The approximate runtime of the 280mAh built-in battery is 7 hours.

The signal-to-noise ratio of the included omnidirectional mic capsules is 78.5 dBA, according to Sennheiser. Maximum SPL is 113 dB SPL, and the frequency range is from 60 Hz to 20 kHz.

Safety Channel Mode outputs audio at a selected sound level in one channel and at a lower level in the other to prevent distortion and clipping in unstable audio environments.

Sennheiser Profile receiver (RX)

The receiver unit (RX) has a 3.5mm analog and USB-C digital audio output so that it can be connected to various cameras or mobile devices. The kit comes with a male USB-C adapter, a Lightning adapter, and a 3.5mm TRS to TRS cable, so you do not have to purchase anything separately.

The RX also offers a 3.5mm headphone output for monitoring. The OLED touchscreen at the back can be used to monitor audio levels or change various settings. Sennheiser claims that the RX can run for up to 7 hours when fully charged. The RX size is very compact, with a weight of 30g / 1.06 oz.

It is worth noting that there is no timecode support, and Sennheiser claims the latency is less than 8ms.

Charging bar

The wireless charging bar and handheld microphone transmitter offer added functionality. The bar charges the receiver and transmitters simultaneously for an additional 11 hours of runtime. Additionally, it can function as a handheld omnidirectional microphone/transmitter. The internal battery of the charging bar can be fully recharged via USB-C in under three hours.

The bar weighs 7oz / 198g, and its dimensions are 6 x 2.2 x 1.6″ (152 x 55 x 41mm).

Price and availability

The new Sennheiser Profile wireless microphone system is available now for pre-order. The whole kit, which has two transmitters, a receiver, and a charging bar, retails for $299 (around €310, including VAT in Europe). On top of the mentioned parts, the kit also includes a cold shoe mount for the RX, a clip magnet for TX, a pouch to carry the system in, and windscreens for both the TX and charging bar microphones. Additionally, you can buy the receiver or the clip-on wireless transmitter/recorder separately for $99.95 each. The charging bar retails for $59.95.

Which wireless audio set are you using for your productions? What do you think about the new affordable Sennheiser Profile wireless set? Let us know in the comments section underneath the article.

Whether you’re a sound professional or filming solo, having a sound bag with the right audio tools on hand is very important – microphones, windscreens, extra batteries, and more. Deity offers a smart power solution that not only gives info on real-time remaining battery but is compatible with other Deity devices.

Deity Ultra-Compact SPD-Mini Power Distro – features

The Deity Microphones Ultra-Compact SPD-Mini Power Distro features multiple ports, including five 4-pin Push-Pull power ports and a 5V USB-C for 10W of power. You can keep a smartphone or tablet charged, especially if it’s using the Sidius Audio app. The color screen is very useful because it displays the remaining battery life in real time and can be flipped upside down. A quick glance will tell you when you’ll need to swap batteries. It also handles high-amp draw audio setups, including Deity’s SD 888.  

Since it’s a part of Deity’s Regional Power System, it can be securely mounted and interconnected to other devices like the SPD Mini, and power can be shared, eliminating the need for cables. This is especially useful for eliminating a mess of cables.

The SPD-Mini Power Distro list of features includes:

• SMBus-enabled smart battery telemetry is displayed in real-time by the color screen.
• 5V USB-C with 10W output. Five 4-pin Push-Pull power ports, including a top-mounted switch.
• Compatible with TA4 Smart Battery cups and USB-C inputs (15V/12V PD).
• Smart battery data is passed through from the #1 output and works with Sound Devices 8-series audio recorders. Helps manage power effectively.
• Part of Deity’s modular Regional Power System. It can be mounted to a compatible device, allowing for power sharing without a cable.
• Compact design, making it easy for travel.

Price and availability 

The Deity Microphones Ultra-Compact SPD-Mini Power Distro is available now in their shop for an affordable $269 and is a good investment for any sound bag. Being a part of Deity’s modular Regional Power System, it works with other devices and shares power without needing a cable. Anything that can keep clutter down while providing power to the microphone system is always a big win.

Additionally, the SPD-Mini Power Distro’s compact size makes it easy to carry around and ensures power efficiency. Visit Deity’s website to learn more.

What do you think about the new Distro? Let us know in the comments below!

The CoMo SE builds on the original CoMo system, which debuted at NAB earlier this year. The key difference between the two models is not only the budget-friendly price but the operating frequency—2.4GHz for the SE, which can sometimes be more crowded compared to the 1.9GHz frequency of the original. Despite this, the core features remain unchanged, including the 400m/1312ft range. Both versions use external antennas to ensure a stable wireless connection, a crucial element for Accsoon, given their experience with wireless systems.

Features

The system operates over distances of up to 400m (1,312 ft) without the need for a base station. The CoMo SE includes a host headset with orange buttons and up to four remote (or slave) headsets with black buttons. Each headset comes with a flip-to-mute microphone and an ergonomic design for comfort during extended use. The microphone also includes advanced Environmental Noise Cancellation (ENC) to minimize background noise.

A notable feature of the CoMo SE is its rechargeable, non-proprietary battery that offers up to a whopping 30 hours of use on a single charge, more than enough for most productions. A charger is included.

CoMo SE – specs

• Wireless Modulation: GFSK
• Frequency 2402~2480MHz
• Duplex Mode: Full-Duplex (FDX)
• Maximum Connectivity: 5 Headsets (1 host and 4 remotes)
• Approximate RF Sensitivity: -90 dBm
• Microphone Type: Electret Condenser
• Pickup Pattern: Cardioid (unidirectional)
• Frequency Response: 150 Hz to 7 kHz
• Communication Sampling Rate: 16KHz/16bit
• Noise Cancelling Microphone: Yes
• Total Harmonic Distortion (THD): 1%
• Maximum Sound Pressure Level (SPL): 115 dB
• Signal-to-noise Ratio: >65dB
• Earpiece Design: On-Ear (supra-aural) / Over-Ear (circumaural)
• Number of Earpieces: Single Earpiece (left or right side)
• Battery: Rechargeable Lithium-Ion 18500 Battery 
• Battery Capacity: 2320 mAh (single battery)
• Operating Time: up to 30 hours
• Charging Time: approx. 2 hours
• Operating Temperature -15 to 45°C / 5 to 113°F
• Storage Conditions -20 to 60°C / -4 to 140°F
• Dimension 241.8 x 231.5 x 74.8 mm/9.48 x 9.1 x 2.9 inches (single headset)
• Weight 237g/0.5 lbs (single headset with battery)

Price and availability

The Accsoon CoMo SE Full-duplex Wireless Intercom System is available now for $489/€442.84, which includes one host and four receiver headsets. Individual headsets (host or receiver) are priced at $99/€88.57. For more information, please see the Accsoon website.

Have you used wireless intercom systems in your production work? What’s the most important feature you look for in a wireless intercom system? Let us know in the comments!

SmallRig has made a name for themselves with their tools for filmmakers and content creators – everything from their 5W RGB LED lights to camera cages for the Nikon Z6III to an accessory ecosystem for the Sony BURANO. The S 60 wireless microphone (USB-C version) is the newest addition to their lineup. According to the company, it’s made for creators who need to preserve sound quality but where visible audio equipment might be distracting. You can have a look at how it works here:

Features

The little S 60 uses a 1000 mAh battery cell for 11 hours of battery life (44 with the charging case). It features a DSP chip that supports 48 kHz/24-bit recording, and it includes a 3-level gain adjustment for better control over input levels. A button on the transmitter lets you mute with a double tap and enable noise reduction with one tap. The LDS antenna allows for a transmission range of up to 300m/984.2 ft, and the microphone operates with a latency of less than 20 ms for real-time audio capture without noticeable delay, according to SmallRig. The SNR (signal-to-noise ratio) is 74 dB, and the SPL (sound pressure level) is 120 dB. Finally, the S 60 has a USB-C interface that can simultaneously charge when attached to a mobile phone.

The S 60 comes with some practical accessories like a magnetic cup and a magnetic sticker for quick attachment to clothing – and a windscreen (which makes the S 60 almost too cute!). Set-up is Plug and Play, with no need for any additional software.

Key / System Specs

• Wireless Technology: Digital
• Included Transmitters: 2x Clip-On with Microphone
• Receiver type: Plug-In
• Microphone type: Built-in
• Diversity: Non-diversity
• Max Operating Range: 300m/984.3 ft
• Max Transmitters per Band: 2
• Built-in Recorder: No
• Timecode Support: No
• Mobile App Compatible: Yes: Android and iOS
• Sample Rate/Resolution: 48 kHz / 24-bit

Receiver Specs

• Receiver Type: Plug-In (USB-C)
• Mounting Options: Plug-In (with included hardware)
• Antenna: Internal
• Number of Audio Channels: 2
• Audio I/O: No
• Network I/O: No
• USB/Lightning Connectivity: USB-C Male
• USB Class-Compliant: Yes
• Power Requirements: Bus Power (USB)
• Housing: ABS
• Dimensions: 38x15x8mm/1.5×0.6×0.3 in

Transmitter Specs

• Transmitter Type: Clip-On with Microphone
• Built-In Microphone: Yes
• Audio I/O: 1x Proprietary 3-Pin Female Input
• Auto-Level Control: Yes
• Recorder Sample Rates: 48 kHz
• Sync Method: 2.4 GHz QPSK
• Antenna: Internal
• Power Requirements: Battery
• Battery Type: 1x Built-In Rechargeable
• Internal Battery Capacity: 97 mAh
• Approx. Battery Life: 11 hours
• Housing: ABS
• Operating Temperature: 14 to 113°F / -10 to 45°C
• Dimensions: 36x10mm/1×0.4 in
• Weight: 7.9g/0.3 oz

Price and availability

The SmallRig Mini S 60 wireless microphone (USB-C version) is available now for $89.99. Included in the box are 2 x transmitters, a plug-in receiver, a charging case, 2 x furry windscreens, 2 x adhesive pads, 2 x adhesive neck straps, 2 x back clips, USB-C Charging Cable, and a Limited 2-Year Manufacturer Warranty. For more information, please see the SmallRig website here.

What do you think of this tiny microphone? What features of the S 60 stand out to you the most? Let us know in the comments!

32-bit recorders have somewhat revolutionized our industry in recent years. While 24-bit isn’t bad, the 32-bit float comes with such headroom that almost no recording mistake can’t be fixed in post. I guess sound professionals will find additional advantages, but from a single operator point of view, 32-bit revolutionized my workflow, allowing me to focus on other things with the peace of mind it provided. Tight teams, quick-response ENG professionals, wedding filmmakers, and documentarists can now count on the recorder without constant monitoring, even in extreme conditions.

Robustly compact

The TASCAM FR-AV2 follows this slogan both in terms of design and in terms of features. Every inch of its surface area teems with functionality. On the device’s main panel, we’ll find a generous 2″ color LCD screen and four function buttons to navigate the displayed menu and options. There are four playback buttons (with additional functions) and a big REC button. Three LEDs will provide recording indication as well as clipping alert per channel. While not as relevant for 32-bit float recording, the device also supports 24-bit, so that’s a nice touch.

Wired connectivity

Two XLR/TRS Combo Mic/Line Inputs tightly fill the left-hand side of the TASCAM FR-AV2. The TRS compatibility sets the FR-AV2 apart from two of its closest competitors, the Zoom F3 and Tascam’s own Portacapture X6, making it more flexible.

But the 3.5mm jacks on the bottom panel make the TASCAM FR-AV2 an amazing fit for hybrid filmmaking. To the left is the input jack, enabling audio from 3.5mm microphones, such as the popular RØDE VideoMic series. Pretty standard, but this input can double as a linear Timecode input, letting us use various Timecode generating options other than the optional Bluetooth add-on. Next, there’s a simple headphone jack with volume control, and to the right is the camera/LINE/TC out.

This is an extremely important feature. Every filmmaker and content creator working with external recorders is well aware of the hustle involved with syncing audio and video in post. The TASCAM FR-AV2 all but eliminates the need for sync in post, which will greatly appeal to video creators across the board.

The right panel houses the rather oversized Micro SD slot (up to 512GB) behind a rubber cover. A USB-C port will double as a power supply and external interface for both desktops and mobile devices, and a sliding on-off switch is also here. Notice the lack of a “Lock” position. The bulge on the top panel is the optional AK-BT2, a new Bluetooth dongle with some meaningful tricks up its sleeve.

Next level Bluetooth

As with many current audio recorders, an optional Bluetooth dongle is available. Most dongles allow for remote operation, REC start/stop, and TC Sync. The new AK-BT2 brings some additional features to the TASCAM FR-AV2. The most useful of these is probably the audio monitoring option. Yes, you can now hear your audio via common Bluetooth headphones or speakers. This can be done in conjunction with wired monitoring.

Five recorders can be simultaneously controlled by a single phone or tablet via the mobile app. The system is also compatible with the Atomos UltraSync BLUE system, so if you’ve invested in these products – fear not.

Price and availability

The TASCAM FR-AV2 is on the pricier side of the 32-bit float audio recorders crowd at $399. It tops the Zoom F3 by $100, which is quite fair considering its added features. It’s also priced higher than TASCAM’s flagship Portacapture X8 current pricing ($369.99), though less than the latter’s launch price. It’s currently available for pre-order. For more information visit the TASCAM website.

Will the new FR-AV2, which is directly aimed at filmmakers and hybrid shooters, cater to your needs? Will it help you start working with external recording? Let us know in the comments.